Video
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Bouyancy, 2010
Video still / Format HD 16:9 / 5’04” / Stereo
Past penetrates present as Fernand Léger's iconic lips (taken from Ballet Mecanique, 1924) pierce a waterscape revolving around the camera, triggering a soundtrack of cacophonous laughter. Patchworked together by compression artifacts, Buoyancy (2010) imagines a body straddling the borderline between the real and the imagined, joy and madness.
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Bouyancy, 2010
Video still / Format HD 16:9 / 5’04” / Stereo
Past penetrates present as Fernand Léger's iconic lips (taken from Ballet Mecanique, 1924) pierce a waterscape revolving around the camera, triggering a soundtrack of cacophonous laughter. Patchworked together by compression artifacts, Buoyancy (2010) imagines a body straddling the borderline between the real and the imagined, joy and madness.
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Bouyancy, 2010
Video still / Format HD 16:9 / 5’04” / Stereo
Past penetrates present as Fernand Léger's iconic lips (taken from Ballet Mecanique, 1924) pierce a waterscape revolving around the camera, triggering a soundtrack of cacophonous laughter. Patchworked together by compression artifacts, Buoyancy (2010) imagines a body straddling the borderline between the real and the imagined, joy and madness.
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Corpus Christi, 2007
Video Still / 5’37” / Format 4:3 / Silent
Inspired by the concept of uniting breath and bodily sensations with vision, this silent video was filmed in the magnificent King's College Chapel in Cambridge, UK. In it, I draw parallels between the transcendental body of Christian mysticism and the rigid body of the chapel building. Stained-glass windows and skeletal rib-vaults of the chapel's ceiling are abstracted by the camera into an absorbing, hypnotic vision of light penetrating expanding and contracting lungs.
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Corpus Christi, 2007
Video Still / 5’37” / Format 4:3 / Silent
Inspired by the concept of uniting breath and bodily sensations with vision, this silent video was filmed in the magnificent King's College Chapel in Cambridge, UK. In it, I draw parallels between the transcendental body of Christian mysticism and the rigid body of the chapel building. Stained-glass windows and skeletal rib-vaults of the chapel's ceiling are abstracted by the camera into an absorbing, hypnotic vision of light penetrating expanding and contracting lungs.
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Magic House, 2007
Video still / Format 4:3 / 7’05” / Silent
This is a silent video charting the emotionally-charged visit back to my childhood home. I use motion, physical sensation and the breath to create an abstract vision of a bewildering psychological landscape where memories are transfigured through an exploration of what Walter Benjamin called the 'optical unconscious'.
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Magic House, 2007
Video still / Format 4:3 / 7’05” / Silent
This is a silent video charting the emotionally-charged visit back to my childhood home. I use motion, physical sensation and the breath to create an abstract vision of a bewildering psychological landscape where memories are transfigured through an exploration of what Walter Benjamin called the 'optical unconscious'.
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Penetration, 2006
Video still / Format 4:3 / 4’20” / Silent
Filmed in London’s Piccadilly Circus, this silent video depicts the deconstruction of capitalist icons by fragmenting familiar symbols and logos and reassembling them in a chaotic, mesmerizing visual collage. -
Penetration, 2006
Video still / Format 4:3 / 4’20” / Silent
Filmed in London’s Piccadilly Circus, this silent video depicts the deconstruction of capitalist icons by fragmenting familiar symbols and logos and reassembling them in a chaotic, mesmerizing visual collage. -
Penetration, 2006
Video still / Format 4:3 / 4’20” / Silent
Filmed in London’s Piccadilly Circus, this silent video depicts the deconstruction of capitalist icons by fragmenting familiar symbols and logos and reassembling them in a chaotic, mesmerizing visual collage.